I love how the movie just totally changes plots at that point - first a story about Marion, then Norman. I just remember feeling almost disoriented, like 'wait, what happened to the movie I was
? Who took my cheese?'. Very cool. Things like that were quite advanced for the time.
I recall SPELLBOUND as being very heavy-handed, over-acted, it just seemed very stiff and phony to me. But this dream sequence, a collaboration with Salvador Dali is just amazing: