And you can have my handmade wall phone when I die.
Here is a wild idea see if you can find a voice recognition dialing unit and put it in the case, (such as some cell phones have). Then you could come close to the original experience if you program it to associate names and numbers. It would be the modern equivalent of the operator that used to live at the other end of the line. You could also fix it up so you have to turn the crank a couple of times to wake up the dialing unit.
I like that idea - imagine picking it up and saying
"Mabel, can you put me through to the Pharmacy?", and have it dialing your local Walgreens? That would be a hoot!
...
I agree that there's might be a thing call "vinyl quality" to the sound of a record. It might not be there at the master tape taken at the recording studio, but then who cares? The master tape is mixed and remixed before the disc is cut anyway. And then, our own speakers and surrounding add all kinds of coloration to the sound. If one likes it, that's a good enough reason.
I am not at all particular, but do not like records because of the inevitable pops. I had a favorite disc of a guitar concerto that I digitized just to edit out the pops.
You mention pops and scratches. I have MANY 40 year old albums that still sound like new. Depends on how they were maintained. ...
I haven't bought any new vinyl, but I think most of it is very high quality, to appeal to that limited market. I don't think there will be much in the way of pops, crackles or surface noise.
My vinyl is mostly 70's stuff, and not so great. Even at that, some of can go for many minutes without a pop, and some have low surface noise. I spend some time de-clicking them (manually) if I'm digitizing them.
Here's a link to current vinyl store:
Vinyl Records | Acoustic Sounds
Interesting that #1, 2, 3 on their best sellers is from the Fritz Reiner era of the Chicago Symphony. The 200 gram designation is the weight of the vinyl it is pressed from, the 70's stuff was 130 gram, and often recycled vinyl, the new ones are mostly labeled 'virgin vinyl'. I don't doubt for a second that they are far superior to the stuff we bought at K-Mart back then.
I get a kick out of some of some of the vinyl 'purists'. Now, if you like vinyl, fine - that's subjective and personal and I won't argue it. But some of them seem to be ignorant of all the processing that has to go on to get acoustic waves cut to a disc and what it goes through to get it back out (RIAA equalization and all the mechanical and electrical resonances in the cutter and cartridge, for example). There is a lot of mucking of the sound, it isn't 'pure' by any means. In some cases, what people like are the distortions that are inherent in the process (like people will say this is a 'warm' cartridge, or a 'revealing' cartridge). Any reproduced sound has been affected - you pick your poison.
There is nothing like live acoustic music, in a quiet setting with good acoustics (good luck with that!). Live, amplified music can sound fantastic
if and
only if (I'm a 'never say never' guy, but I'll make an exception here) each instrument is played through its own amplifier - no mixing board and mushing it together through the same speakers. As soon as you mix it, it turns into mush.
-ERD50