Sarah, I am embarrassed and undeserving – but don’t let that stop you. Thanks for the kind words.
The original topic of this thread is pretty much done – now we just need to wait and see. July 5th is Venezuelan Independence Day - a key date and should tell us much. Until then no more comment from me on this matter.
Back to films. Of the short list we discussed, both DW and I really enjoyed “Y Tu Mama Tambien” and “Real Women have curves”. Real Women is (regretfully for your Spanish) in English, but is still the best representation of Latino family culture I have seen in a film in either language, and it sparked a dinner table dialog much like your own, but between DW and our daughters. “Tu Mama” is gritty and has a fair amount of sex that might offend some, but is an excellent film with many layers, one of which is a very critical view of Mexican society, poverty and exploitation. If it doesn’t show, I think Mexican filmmaking has really evolved.
One comment about your trip. Even though Peru has the same type of inequality depicted in these films and seen almost everywhere in Latin America, I have never seen or felt the mean spiritedness or hostility evidenced elsewhere, even going back to the “Sendero Luminoso” days. People there are friendly and well meaning.
The original topic of this thread is pretty much done – now we just need to wait and see. July 5th is Venezuelan Independence Day - a key date and should tell us much. Until then no more comment from me on this matter.
Back to films. Of the short list we discussed, both DW and I really enjoyed “Y Tu Mama Tambien” and “Real Women have curves”. Real Women is (regretfully for your Spanish) in English, but is still the best representation of Latino family culture I have seen in a film in either language, and it sparked a dinner table dialog much like your own, but between DW and our daughters. “Tu Mama” is gritty and has a fair amount of sex that might offend some, but is an excellent film with many layers, one of which is a very critical view of Mexican society, poverty and exploitation. If it doesn’t show, I think Mexican filmmaking has really evolved.
One comment about your trip. Even though Peru has the same type of inequality depicted in these films and seen almost everywhere in Latin America, I have never seen or felt the mean spiritedness or hostility evidenced elsewhere, even going back to the “Sendero Luminoso” days. People there are friendly and well meaning.