JoeWras
Give me a museum and I'll fill it. (Picasso) Give me a forum ...
- Joined
- Sep 18, 2012
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After discussing the Super Bowl ads, and realizing how there's a group of us "in between" the cultural guideposts of the Boomers and Gen-Xers, I thought it was time for a Generation Jones thread. Let's keep it light and not start a generation war. A currently infrequent poster started one 13 years ago. Maybe it is time for another discussion.
For reference, from Wikipedia (https://en.wikipedia.org/wiki/Generation_Jones):
My siblings and cousins are 7 to 18 years older than me, all Boomers. Many times I cannot relate. Yet, I'm called a Boomer (1963) I want to embrace my Jonesing.
Hopefully, we can talk about some of the unique financial challenges, including being squarely in the social security age changes, and absolutely smack in the middle of the big corporate pension switch overs.
Socially, there's the whole thing about being sandwiched between loose sex and dying of AIDs. Yikes, that put a damper on things.
But I'll start with music, as I touched on in the Superbowl ad.
Joners' sweet spot in pop music saw the transition from the most golden polished rock (say... Fleetwood Mac "Rumors"), to Disco, Disco, Disco, and then New Wave. Sure, we also got a good taste of the 60s and early 70s, as we did of the early 90s grunge and gansta rap.
We only discovered the depth of classic Motown soul later in life, when we had time to listen and also open our minds. Disco simply drowned out every thing about soul at the time, and that's too bad. Similarly, classic rock, especially "prog rock" was just a tad too early (Emerson, Lake and Palmer anyone?) to be in the sweet spot. It doesn't mean we didn't like it, it is just that we didn't see it evolve from a group like King Crimson. Indeed, classic rock got swallowed by the New Wave, and like it or not, New Wave is Gen Jones music.
We didn't abandon classic rock, we just made room for New Wave, a lot of room. Groups like Bondie even introduced us to the future of Rap, and Aerosmith cemented the deal with their collaboration on Walk This Way.
Now, Rap. This is what I think separates Gen Joners from true boomers. We didn't grow up on it, but we made "a little room" for it. Maybe not our favorite, may even turn it off most times, but hey, you danced to "Bust a Groove" (and nearly split your pants) at your friend's wedding and may have been horrified to see your friend's uncle used his massive camera to record it in glorious VHS. Meanwhile, most Boomers have zero room for rap. At the same time, we were a bit horrified to see our kids, nieces and nephews mostly late Gen-X early Millenials, take to rap and gansta rap like flies to fly paper. What did they see in this? And what is with those damn subwoofers anyway?
Country is my weak point in music history as it wasn't my thing, primarily because I wasn't into classic country that my Boomer siblings grew up on. Still, it got into our veins because a new group of near-crossover artists came to soften the fiddles and slide guitars enough to be pop enough for us to embrace. What Joneser doesn't like Kenny Rogers?
For reference, from Wikipedia (https://en.wikipedia.org/wiki/Generation_Jones):
Generation Jones is the social cohort of the latter half of the Baby Boomer Generation to the first years of Generation X. The term Generation Jones was first coined by the cultural commentator Jonathan Pontell, who identified the cohort as those born from 1954 to 1965 in the U.S. who were children during Watergate, the oil crisis, and stagflation rather than during the 1960s, but slightly before Gen X.
My siblings and cousins are 7 to 18 years older than me, all Boomers. Many times I cannot relate. Yet, I'm called a Boomer (1963) I want to embrace my Jonesing.
Hopefully, we can talk about some of the unique financial challenges, including being squarely in the social security age changes, and absolutely smack in the middle of the big corporate pension switch overs.
Socially, there's the whole thing about being sandwiched between loose sex and dying of AIDs. Yikes, that put a damper on things.
But I'll start with music, as I touched on in the Superbowl ad.
Joners' sweet spot in pop music saw the transition from the most golden polished rock (say... Fleetwood Mac "Rumors"), to Disco, Disco, Disco, and then New Wave. Sure, we also got a good taste of the 60s and early 70s, as we did of the early 90s grunge and gansta rap.
We only discovered the depth of classic Motown soul later in life, when we had time to listen and also open our minds. Disco simply drowned out every thing about soul at the time, and that's too bad. Similarly, classic rock, especially "prog rock" was just a tad too early (Emerson, Lake and Palmer anyone?) to be in the sweet spot. It doesn't mean we didn't like it, it is just that we didn't see it evolve from a group like King Crimson. Indeed, classic rock got swallowed by the New Wave, and like it or not, New Wave is Gen Jones music.
We didn't abandon classic rock, we just made room for New Wave, a lot of room. Groups like Bondie even introduced us to the future of Rap, and Aerosmith cemented the deal with their collaboration on Walk This Way.
Now, Rap. This is what I think separates Gen Joners from true boomers. We didn't grow up on it, but we made "a little room" for it. Maybe not our favorite, may even turn it off most times, but hey, you danced to "Bust a Groove" (and nearly split your pants) at your friend's wedding and may have been horrified to see your friend's uncle used his massive camera to record it in glorious VHS. Meanwhile, most Boomers have zero room for rap. At the same time, we were a bit horrified to see our kids, nieces and nephews mostly late Gen-X early Millenials, take to rap and gansta rap like flies to fly paper. What did they see in this? And what is with those damn subwoofers anyway?
Country is my weak point in music history as it wasn't my thing, primarily because I wasn't into classic country that my Boomer siblings grew up on. Still, it got into our veins because a new group of near-crossover artists came to soften the fiddles and slide guitars enough to be pop enough for us to embrace. What Joneser doesn't like Kenny Rogers?