I worked my way through undergraduate and graduate school as a radio and TV station engineer and did some recording for musical groups. So my comments come from a sort of audio purist viewpoint. For rock music and ordinary TV, anything goes. Sound accuracy is not a concern. For serious music:
People frequently try to turn audio into a numbers game. It is not. In the first place most of the manufacturers' numbers are bogus anyway. Secondly, the only way you can evaluate speakers is by listening to them.
Find a compilation audo CD that has music you like. It does not have to be the best recording ever made, but it should feature a range of music. Something like this maybe: https://www.amazon.com/Orchestral-Spectaculars-Kunzel-Cincinnati-Pops/dp/B000003CTO This is your comparison standard. I especially like triangle for the highs, and organ for bass. Or, for a one piece standard try the Toccata from the Fifth Organ Symphony in F, Op 42 #1, by Charles-Marie Widor You can audition it on your terrible computer speakers via a google search.
Drag your CD around to all of the high-end audio shops in your area and spend at least 10 minutes listening to each of the speakers in your price range. Don't overlook any used speakers that they might have. Skip the store's demos; you need a reference standard that is the same for every speaker you audition. You can try the big box stores if you like but my experience is that the speakers are usually garbage, the salespeople are completely ignorant, and the listening room (if any) is noisy.
Let your ears and your checkbook balance pick your speakers. Forget all the numbers.
For the record, I have Klipsch Fortes at home and Klipsch LaScalas at our lake place where my wife will permit the bigger boxes.
I just had to comment:
1. Good auditioning advice.
2. Sweet speakers! Would love to hear more about your system. I made a kit Bottlehead amp system with large (low Wife Acceptance Factor) homemade speakers some years ago. Sounds great. I love it.